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A sari or saree, is a Indian female garment that consists of drape varying from two to nine yards in length and two to four feet in breadth that is typically wrapped around the waist, with one end draped over the shoulder, baring the midriff.
The sari is usually worn over a petticoat (called lahaṅgā or lehenga in the north; langa in Kannada, pavada, or pavadai in the south; chaniyo, parkar, ghaghra, or ghagaro in the west; and shaya in eastern India), with a fitted upper garment commonly called a blouse or a choli or ravika. The blouse has short sleeves and is usually cropped at the midriff. The sari is associated with grace and is widely regarded as a symbol of Indian culture.

The word sari is derived from Sanskrit शाटी śāṭī which means 'strip of cloth' and शाडी śāḍī or साडी sāḍī in Prakrit, and which was corrupted to sāṛī in Hindi. The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas. This could be equivalent to modern day 'Sari'. The term for female bodice, the choli is derived from another ruling clan from ancient Tamil Nadu, the Cholas. Rajatarangini (meaning the 'river of kings'), a tenth-century literary work by Kalhana, states that the Choli from the Deccan was introduced under the royal order in Kashmir. The concept of Pallava, the end piece in the sari, originated during the Pallavas period and named after the Pallavas, another ruling clan of Ancient Tamilakam.

The word sari is derived from Sanskrit शाटी śāṭī which means 'strip of cloth' and शाडी śāḍī or साडी sāḍī in Prakrit, and which was corrupted to sāṛī in Hindi. The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas. This could be equivalent to modern day 'Sari'.
In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent. The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.
Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari. The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving.[12] In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.

Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.